POROROCA CYCLE
You don't enter the same water twice
17h
With the participation of Bernardo Vaz, Evgeny Landa and Nilo de Oliveira
Mediation: Fernanda Brescia
When you approach the sea (and a poet), you are looking for the same impression, not a new one -- a repetition, not a continuation. A poet, like the sea, even if you open your book for the first time, will certainly re-read, while the river runs in the distance, like Pushkin, and follows it - even if you were born on its banks, you always keep reading . This is the difference between broad maritime traffic and irreversible longitudinal river traffic. The difference between stay and ticket. You love the river because it's always different, the sea because it's always the same. If you want something new, stay by the river. It is not by chance that Heraclitus, having said: “No one enters the same river twice”, took as a symbol of the current not the sea, which he saw in front of him every day and knew, but the river.
The event will have simultaneous translation from Russian to Portuguese.
SONG
Sergei Prokofiev (1891-1953)
-Sonata for flute and piano op.94
- Moderate
- Scherzo: Presto
- Andante
- Allegro con brio
Franz Schubert (1797-1828):
-Introduction and Variations on the theme “Trockne Blume” D. 802
Ludwig van Beethoven (1770-1827)
- Sonata op. 27/2 (In the moonlight)
-Adagio sostenuto
-Allegretto
-Presto agitato
Georges Crumb (1929)
-Vox Balaenae
Musicians:
Cassia Lima, flute
Elise Pittenger, cello
christian budu, piano
Gustavo Carvalho, piano
8:30 pm
Concert IX
27 november to 6 December 2020
SESI Yves Alves Cultural Center
10 am to 7 pm
Datasheet:
Conception: Lucimelia Romão
Performer: Lucimelia Romão
Soundtrack: Matheus Correa and Lucimélia Romão
Executive Producer and Biologist: Liliane Crislaine
A THOUSAND LITERS OF BLACK: THE TIDE IS FULL
The first shot hurts, the second shot makes breathing difficult, and the third kills! So what's the room for? The fifth? The sixth? The seventh? The eighth? The ninth? And the tenth shot?
The tide is high. Full of bullets. Full of bodies. Full of black bodies pierced by bullets! It overflows with pain, overflows with death. Tears spill over from the eyes of peripheral mothers, those mothers who know they have put their children out into the world to be shot by the state and by the Brazilian racist police. It is in this strategic scenario of abandonment that the state keeps the black population in sub-human conditions.
A body. Mute. Terrified. Riddled with pain and blood. Seven liters. Seven liters of blood that drains from each body, while life goes out, every 25 minutes, thus filling a pool of one thousand liters in about 59 hours.
The genocide of black youth has been the state's basic policy towards Brazilian blacks since slavery. Extermination is imminent. War tactic waged against a people who never had the right and conditions to fight on equal terms. Children, teenagers and young people are killed. Life expectancy decreases. Women are raped, their children are riddled with bullets.
EXHIBITION | PERFORMANCE
MOVIE THEATER
AVAILABLE MOVIES
check out the days and times of each exhibition
FICTION
the farewell (Proschanie) | Larissa Shepitko / Elem Klimov
Blue Desert | Eder Santos
Stalker | Andrew Tarkovsky
Hotel Mekong | Apichatpong Weerasethakul
DOCUMENTARIES
Daughters of Washers | Edileuza Penha de Souza
Xingu's last lap | Kamikia Kisedjê, Wallace Nogueira
Submerged city | Caetano Dias
The river cure | Mariana Fagundes
plant water (Water Cycle – 4 episodes)
ANIMATION
The Mermaid (Russalka) | Alexander Petrov
The old and the sea (Starik and more) | Alexander Petrov
the ships of times past (Korabli proshlikh liet) |
Yuri Bogusslavski
Confluence between thinking, artistic making and manifesting.
26 november to 6 December 2020
SESI Yves Alves Cultural Center
10 am to 7 pm
